It was a busy 800+ kilometer weekend for me with 2 installations and one opening/artist talk. My series Blood Unquiet is on display at Evald Okas Museum in Haapsalu from 18.07 to 09.08. The gallery is open from 12-18, Tuesday-Sunday. This is the last show for Blood Unquiet in Estonia in the foreseeable future, right after unmounting the prints will start their way towards Photoville, New York.
During the preparations of my exhibition in the last six months I wrote a lengthy series of posts about different decisions I needed to take. Now I'm trying to analyze what worked and what didn't. Of course I don't know what the outcome would've been had I took different path, but in general I think I did a pretty good job even though I completely rethought some aspects just days before the pictures went to print.
Diasec vs showcase floater. I chose Diasec and I'm happy about it. For me, Diasec somehow represents the bleeding edge of printing technology although I do have much respect towards the classic matted and framed photos. In this case, Diasec made me able to print bigger which was necessary to fill the gallery space. Showcase floaters would have been more expensive and thus smaller.
Diasec vs anything else. I ruled out canvas pretty early, although I have to admit that after seeing Arne Maasik's Deep Sea exhibition, my attitude towards canvas changed a little bit. If the canvas in question has fine texture and is put onto quite shallow frame (not the usual 2-3cm deep things), it looks pretty good. Had I chosen the classic framing with passe-partout I wouldn't have been able to make the pictures as big, leaving the gallery visually empty again.
Glossy vs matte Diasec. I chose glossy. Definitely happy about that, because matte version reminded me of ordinary photo paper glued to foam board. I might have to rethink that after Photoville, but that's then. I would have been able to afford non-reflective museum glass had I gone down the classic passe-partout route, but then again, I really wanted to try something I cannot afford without grant money.
Sizing based on photo importance. In the early stages I thought about this, but then realized it would have resulted four different sizes. That's obviously too much (for me to handle).
Sizing based on visual appearance - that is, make both portrait and landscape pictures all the same height. It probably looks nice in the gallery, but the pictures will have different visual importance, downgrading all portraits to B-pictures. I'm happy I was talked out of it just hours before the final commitment.
Sizing based on Photoville requirements - fit the pictures into 2,3x2,3x6m container taking into account the convenient viewing distance/picture diagonal ratio. It would have certainly resulted too small pictures for Tallinn City Gallery. But as I'm not yet back from Photoville, the jury is still out there on this one.
Overall sizing. I settled with 92x76cm prints which I consider optimal for the circumstances. Not too big, not too small. It would have been nice to have one really big print, but here my rational thinking held me back - I going to need to transport the pictures quite a lot after all.
Borders vs no borders. I chose to add 6cm white borders to the pictures. No practicalities here, I just like the way they look. Maybe this will have a practical aspect to it at other exhibition venues where the walls are not plain white.
Alignment. I tried two options - pictures aligned by top border and by upper thirds. When I did the sketchups in computer, it seemed that aligning upper thirds will make the visual appearance more uniform while aligning top borders gave too much visual weight to portrait pictures. When I finally went to install the exhibition into the gallery, the guys who design and install all the exhibitions there still suggested aligning top borders. I took their advice as when the pictures are at real distances from each other, this solution looks better and there're no problems with visual weight.
It sounds so natural and effortless now that it's all decided and worked out and my wife has even teared down the brown paper placeholders from our living room I made to try out different sizes and alignment options. It didn't come nearly as easily though, if I'd need to come up with a rough estimate, I'd say 200+ hours (over 50h comes from some 7 trips to Tallinn). And that's not counting shooting, editing and postprocessing.
In this post I'll try to describe some of the some of the final decisions and thoughts before the exhibition opening. Here's the link to the post where I described the last moment decisions.
The final size of the pictures: 76x92cm and 92x76cm (with 6cm of white border on each side) portrait and landscape formats, respectively. I wanted both formats to have the same weight. I'm very happy how it came out.
I chose glossy finishing. Although I had more restrictions when hanging the pictures in the gallery (I had to put brighter images opposite to the windows), I'm again very happy I didn't choose matte version. It's working very well in the current gallery.
Intro text on the wall in both Estonian and English looks amazing too, it catches the eye even from outside of the gallery. I could complain a little about the design, but well, I didn't have much experience with this either.
One of the last choices I had to make was whether the pictures should be aligned by top third or top border. I made some tests and found out that when the pictures are not very close to each other, they should be aligned by top border, when they're close - by top third (otherwise the portraits will have more visual weight). I had plenty of wall room in the gallery, so the pictures are aligned by top border. Looks good to me.
I had a small panic when ordering the pictures in the gallery, because the plan I made at home didn't work very well. So I spent 2+ hours in the gallery just reordering the pictures and it finally seemed logical to me. Whether other people find the same rhythm and associations, remains to be seen.
All in all, it's an amazing feeling when more than a year of work comes together and looks stunning. Sorry for praising so much my own work, but it definitely is the high point of my photographic career.
Go see it for yourself (Facebook event in Estonian) and let me know what you think ☺
My exhibition titled "Blood Unquiet" is on display right now at Tallinn Art Gallery. The gallery is located at Harju Street 13 and open from Wednesday-Sunday 12:00-18:00.
You're more than welcome to visit!
This post is follow-up to Exhibition Considerations Part II, where print sizes were discussed.
I spent two evenings this week cutting out placeholders from packaging paper and taping them to the wall. My main concerns were to find suitable sizes and layouts that would work for both of the main venues (Linnagalerii and Photoville container). I tried the following sizes:
- I have one test print in landscape format at 100x80cm and I added 80x64cm portrait picture (actually just the paper cutout) to it. Landscape is definitely too big for Photoville container.
- So I tried both landscape and portrait formats at 80x64cm. The sizes are fine, now the layout becomes questionable - do you arrange the pictures by tops or by bottoms? Tops is better, but I still don't like it.
- Fine, let's try landscapes at 80x64cm and make the portraits match the height, so they would be 64x51cm. Layout is good, tops and bottoms match, but the portraits are just way too small for my liking.
- There're not too many sizes in between, so I made some 90x72cm placeholders for landscape photos and 72x57cm for portraits. I found it to be just right. Not that I had too many options left, but still - I felt somehow very comfortable with these, especially in comparison to the previously discussed options that filled my other walls.
At some point after googling "diasec in gallery" I stumbled upon framed Diasecs - there're several options but I instantly liked just plain white border around the picture. Not a frame in classical sense (wooden frames are available too, but I don't fancy those), but rather something that separates the photo from the background. I discussed this with Artproof and they thought that it would be good idea for the Photoville containers where the background is rather busy. It also makes the picture area a bit smaller and improves the viewing experience from short distance.
After some experimentation I found out that at 90x72cm 6cm white border is the very minimum. I'd like it to be even wider, but then it starts eating too much of the picture area, particularly in case of the smaller 72x57cm portrait format. And it also changes the aspect ratio, so I have to do all my calculations from scratch.
I still want the long side of landscape to be 90cm, so that's the starting point. If the border is 6+6=12cm, the longer side of picture area would be 78cm. 78/1,25=62,4cm and 62,4+6+6=74,4cm. Note how the aspect ratio changes here - we started from 90x72cm which matches exactly to the 4x5 (and thus the division by 1,25) originals and end up with 90x74,4cm which is not 4x5 any more because we added the same amount to both sides. Applying the same to portrait format and using the new length 74,4cm (cause we want them to form a perfect row in the gallery) as the longer side of portrait format: (74,4-12)/1,25+12=61,92cm (62,4x49,92cm being the picture area).
So the (hopefully - you never know before it's done) final sizes would be:
- 90x74,4cm for landscape format
- 74,4x62,92cm for portrait format
- And maybe - depending on the budget - we'll throw in one bigger picture to liven up the exhibition a bit
I'm hoping to solve the other dilemma - matte versus glossy Diasec - next week with a test print. More on this when I see it.
- Photoville festival held in converted freight containers
First of all, these are two very different venues, but the one thing in common is that neither of them is very well suited for displaying pictures with highly glossy surfaces. Tallinn Art Gallery because of the first room where there's one big wall opposite to the windows and containers because the walls are light gray and close to each other.
I consulted with some people who confirmed my doubts and said that photos on Diasec are very demanding when it comes to the rooms where they're being displayed. I have a 80 x 100 cm test print on a high-gloss paper used in Diasec process taped to my living room wall opposite to a big window and I have to admit it's very hard to find a suitable viewing angle so that the reflections won't distract you. I explained in Part I why I chose Diasec (showcase floaters won't save me from reflections either and are even harder to transport and display in containers, matted prints under museum glass are just too ordinary), now lets investigate how to proceed from here.
After some googling I found out that there're several types of Diasec - the ordinary high-gloss version, the same thing just with matte acrylic (sometimes called anti-glare) and so called anti-reflective version (basically Diasec under museum glass). The last one is ruled out by price, that leaves me the matte Diasec.
When visiting Artproof we checked the test prints under frosted glass, mimicking the finishing of matte Diasec. It cuts the dynamic range of the prints noticeably, making the nice deep blacks a bit less black and probably the bright whites also a bit darker, but that's not so noticeable. But it also widens the viewing angle and cuts reflections.
I probably want to see a real example before making the final decision, but I don't think I have many other options to choose from.